Monday, February 20, 2012
Dialectical and Historical Materialism 101
Hegel argued that the human cognitive process was the producer or artisan of the material world. The approach was egocentric, to say the least. Marx, however, reversed the process with his musing on dialectical materialism, or as Stalin coined the term, "diamat." In other words, our cognitive ability is merely a reflection of the ever changing process that lies outside of our cognition. It is not we who author the material world. It authors us. Class struggle then becomes the targeted recipient of Marx' critique of the matter of the world and his vision of the way things ought to be. Our life is controlled by matter. Human history is the history of matter and its dominion by humans. This is historical materialism. Proof 1: I am made of the same cabon matter as the keyboard at which I peck away.
Sunday, February 19, 2012
The Book I Never Wrote
In the Appalachian region that is defined, not by grant writers or statisticians, but by topography, the vertical becomes the rule, with horizontal the tempering exception. The rises and falls in the Appalachian nation follow the rise and fall and rise of its denizens.
My mommy let me dip my head into the icy mountain water when I was a baby boy and it has kept me nearby. The smell of dying apples on the ground. The smell of coal smoke. My grandmother's intoxicating wafts from the frock folds of her plain and sleeveless house dresses that revealed the black hairs she did not shave beneath her arms on goddamn purpose. Pork meat. Creasy Greens from the Emory Riverbed. Highway 27. The Cord House. Coal trucks. Hollers. Deep ones. Mountain Laurel. That odd sensation that rose when we passed the garage and junk yard just south of town. My Daddy. The word, "PENITENTIARY" that I learned so early on. Shotguns and pistols and more cash money that I have ever seen. Secrets. There were secrets in every closet and beneath every made bed. We mined the hollers to find that dead baby in an empty dynamite box. These were the tickets torn in two -- I was illegally admitted to an NC-17 cinematic masterpiece that still haunts my many musings.
So now, post modern, post mumblecore, I spend the nanoseconds and half hours reflecting upon "the way things came to be this way." I now conclude that I cannot ignore the hollers and the shotgun blasts of my youth. The thrill of the fall. Clouds came down and misted up the mysterious people who hung tight to the bluffsteep sides of tectonic rises. I did not then know that I was deep inside the belly of Appalachia.
I would eventually dare to open my eyes under the icy water and look to the rounded creekstones for some meaning. I would eventually realize that I, too, was in a state of constant change, constant flow. From whence came the icy water. I would learn to question the etiology of the flow. The mountains. Wiley Arms mountain in particular was my focus. I remember climbing to a point near the top and being chased away by a large dog with a chain looped around its neck. What was it guarding?
My mommy let me dip my head into the icy mountain water when I was a baby boy and it has kept me nearby. The smell of dying apples on the ground. The smell of coal smoke. My grandmother's intoxicating wafts from the frock folds of her plain and sleeveless house dresses that revealed the black hairs she did not shave beneath her arms on goddamn purpose. Pork meat. Creasy Greens from the Emory Riverbed. Highway 27. The Cord House. Coal trucks. Hollers. Deep ones. Mountain Laurel. That odd sensation that rose when we passed the garage and junk yard just south of town. My Daddy. The word, "PENITENTIARY" that I learned so early on. Shotguns and pistols and more cash money that I have ever seen. Secrets. There were secrets in every closet and beneath every made bed. We mined the hollers to find that dead baby in an empty dynamite box. These were the tickets torn in two -- I was illegally admitted to an NC-17 cinematic masterpiece that still haunts my many musings.
So now, post modern, post mumblecore, I spend the nanoseconds and half hours reflecting upon "the way things came to be this way." I now conclude that I cannot ignore the hollers and the shotgun blasts of my youth. The thrill of the fall. Clouds came down and misted up the mysterious people who hung tight to the bluffsteep sides of tectonic rises. I did not then know that I was deep inside the belly of Appalachia.
I would eventually dare to open my eyes under the icy water and look to the rounded creekstones for some meaning. I would eventually realize that I, too, was in a state of constant change, constant flow. From whence came the icy water. I would learn to question the etiology of the flow. The mountains. Wiley Arms mountain in particular was my focus. I remember climbing to a point near the top and being chased away by a large dog with a chain looped around its neck. What was it guarding?
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Great cover of Walking on the Moon, by one of my favorite bands, the Police. This is a great song about falling in love.
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NPR did a piece called "This I Believe" a few years back. Listeners were invited to recite their core beliefs about anything...