Friday, April 22, 2022

Homegrown Image

I unearthed the old blue cork bottle from the upper paddock when I moved some dirt around. The marbles, too. The lilac came from the eponymous bush in the front yard. The old table came from Bart's Trading Post, courtesy of Mr. Tom Sexton. The bowl was created by my son, Paul. The apples came from Cosby, below Newport. The onions and potatos from Jefferson County, cultivated by Mrs. Whetstone. The water in the bottle came from Houston's well in Jefferson County.

Friday, April 15, 2022

Like Spinning Plates (Live)

Liquid Sound Company - A Splash Of Colour

Paul Finebaum and Johnsonville, Inc. and the Human Pig

I could watch this godamn pig's slow exploitation of this helpless cookie for the rest of my life. I'm so happy for the moment. But suddenly, the moment's is intrrupted by the inevidable delve that apparently defines me. That uncontrollable and damnable enlightenment that again brings me back to the brutal human truth: The history of hundreds of millions of this animal's kind is filled with cruel incarceration and absolute bloody horror, and the fucked up show's not even over yet. Paul Finebaum plays his significant part in this brutal slaughter by reaping the advertising rewards from his firm's client, Johnsonville, Inc. via the Paul Finebaum Show. So fuck Johnsonville's disgusting industrial pork plants, and fuck Paul Finebaum, too. Now I can get back to this adorable performance.

Thursday, April 14, 2022

Júníus Meyvant - Full Performance Live at THE ROYAL

Radiohead - Unreleased songs

The Opening of Spring 2022: Our Wild Dogwood Posing for Me and Jessica Monroe

When I bought this place, which was almost a century old back in 1994, an ancient old barn, beyond repair, stood just to the right of this now proud adult dogwood. Someone had laid structural three-hole bricks all over the surface of this little portion of the earth. Problem was, they were laid flat, so many kinds of aggressive flora had seeded and then exploited the holes and began their ascent toward the sky. I was in the process of cutting the brush down so the bricks could be removed easier when I noticed a little sapling that had taken root as desribed. It was about as big around as a first grade pencil. I almost inadvertently cut it down. So glad I was that I noticed it that I put a red ribbon around it. A litte black-haired girl, named Jessica Monroe, who lived just up the street came down to watch this mysterious new neighbor swearing and sweating it out and offered to help. I hired her on the spot. Her job was to pry the bricks up, which numbered several scores, and then some. She worked her little ass off and got them all up and stacked them for me. I paid her well. Years later she would inexplicably drive a car into a group of larger trees and get incinerated down the road in Knox county. This tree reminds me of her. There are those who would recommend that I cut it down on account of the negative history. I mustn't listen to them, even if one of them is me, because not all of its history is negative. Beauty alone might justify its preservation, despite the fact that it reminds me of a horror that I'd just a soon set free.

His Kingly Cave

Radiohead - I Froze Up [Unreleased]

The dissonant chordwork worms its way inside my shirt, encircles my chest, and finds an opening in the solar plexus so the adventure can begin inside the enormous head of my man. I actually "froze up" two years and four days ago. My brother called and told me that our mother had died after a 14 year experience with dementia and wasting. I was sitting in an old rocking chair in Paul's old room upstairs. I froze up. I lost sight of everything except the absolutely stunng news that my mother had died. I had to wait and actually earn the slow thaw that would come, but would take it's goddamned time about it. I'm still frozen deep inside the solar plexus, where the dissonate chords worm their way around, aimlessly, once they reach their destination. A mother is a hell of a thing to lose.

Tuesday, April 12, 2022

Slow Motion's a Goddamn Lie

From a materialist standpoint, the slowing down of visual images is simply not true. But, because the slowing down can make an otherwise ugly incident seem elegant, or even beautiful, it becomes a fucking lie. Mis-visual-information. True, it's interesting to watch, but there is no utility in that, aside from the art of killing time, which, in and of itself, is useful, I suppose. It's all about time. The big stretch. The mother of all movement. Temporal proximity. Opportunity. And the tried and true agency of its exploitation.

Wang Chung - Dance Hall Days - Orchestral Version 2019

Big Boys – Where's My Towel/Industry Standard